![]() The audience sang the end of “Loser” on their own and repeated “Ohhs” during “Dreams” by Beck’s instruction. Beck had what was probably the best command of the crowd that evening. ![]() He had a large band, though was never overwhelmed by their presence (which included two of possibly the only female musicians that night). How are you doing?” he asked the crowd before singing his 1994 smash “Loser.” In a matter of eight songs, Beck brought the real dance party in the form of hip hop beats, psychedelic visuals, pop-tinged tunes and a bluesy breakdown it was a manifestation of the genre bending he is truly known for. However, Berninger found the opportunity to toss a cup of water splattering over the front few rows at the end of “Guilty Party.” And during their last song, “Day I Die,” Berninger finished by pacing below on the floor, arms stretched above his already long body, and then exited from there, arms at his side.īeck, in all his compact glory, brought the energy back. Frontwoman Lauren Mayberry explained that “Every time I listen to their music, there’s such honesty.” The Ohio-native band started with “The System Only Dreams in Total Darkness.” It was arguably one of their more relaxed sets of the nights, probably in part due to singer Matt Berninger’s mellow stage presence. The National were introduced by members of The Woody Show, in addition to synth pop band Chvrches. With his flashing grin and guitar in the air, Carrabba was clearly pleased. ![]() Still, Carrabba taught the crowd the main line of the chorus, which was easily caught on to, for the audience sang the final iteration alone. I’m sure you know all the words by now,” he joked. However, Carabba lifted spirits when he said, “This is about the best date I’ve ever had in my life,” before kicking into “Hands Down.” Carrabba rounded out the set with an acoustic solo performance of “Heart Beat Here.” “We released this song yesterday. “This song’s about trying to get rid of Trump,” he said, just minutes after the government officially shut down. Running on the nostalgia high, Dashboard Confessional opened with the emo anthem “Vindicated.” Not to get too lost in the past, singer Chris Carrabba followed with “We Fight,” a song off their upcoming album. They ended their set with “Anna Sun,” a song just as infectious as “Shut Up and Dance,” but sugar-coated in nostalgia. “Let’s have some fun,” he said, prior to their arguably biggest song, the infectious “Shut Up and Dance.” The song properly invigorated the crowd, allowing Walk the Moon to sing one more song off their new album, “Surrender.” With Petricca at the keyboard swaying his hips, it felt like a proper ’80s moment. Like Mumford, singer Nicholas Petricca, clad in his own version of a technicolor dreamcoat, knew to give the people what they wanted. The Cincinnati natives began the night with “One Foot,” their latest album’s single that recently hit number one on alternative radio. The rotation of Spoon’s stage revealed Walk the Moon, a refreshing sight to see in face-paint and brightly-colored clothes (black skinny jeans seemed to be the evening’s primary uniform). The Austin band began with “Do I Have to Talk You Into It.” During the set, singer Britt Daniel took a moment to ask the crowd if they were alright and later to mention that they put a new record out last year: “I want you all to listen to it.” However, they understood the hits were what an evening like this called for and sang “The Underdog” just before finishing with “Rent I Pay.” Members of ALT 98.7’s The Woody Show and actor Darren Criss then introduced Spoon, who Criss described as a big inspiration and “better than ever” after 25 years. The song even started with a drumstick countdown and ended with Mumford raising his guitar (electric!) above and saying “Have a good evening! Thank you!” They closed their set with “The Wolf,” from 2015’s Wilder Mind. Not to go full banjo, Mumford and Sons sprinkled in a few of their more rock-based songs. It was one of the more harmonious moments of the night between the entertainer and entertained. Not to disappoint, Marcus Mumford said, “Let’s have some fun,” and the band plunged into “Little Lion Man” and kept the pace by following up with “I Will Wait.” The band jigged. However, not to keep the crowd waiting, the stage rotated to reveal another stage ready for Mumford and Sons, who began with “Believe,” a song off their most recent studio album. It was hard not to notice frontman Jack Met in a lumberjack-like hat, not to mention his broken foot. ![]() Newbies AJR, a New York-based band of brothers, started the night with a two-song miniset Though quick, Adam, Jack and Ryan properly let the arena know the show was starting.
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